畢業(yè)論文-花開兩朵　芬芳各異─《西廂記》中崔鶯鶯與《牡丹亭》中杜麗娘形象比較 - 語言文學(xué)論文

摘   要

    《西廂記》和《牡丹亭》都是反映青年男女沖破封建禮教的束縛和追求自由愛情理想、反對(duì)封建專制的優(yōu)秀劇作。本文分4個(gè)部分對(duì)崔鶯鶯和杜麗娘的形象進(jìn)行比較。首先分析她們各自的形象，給人1個(gè)整體上的認(rèn)識(shí)；其次從她們所處的社會(huì)背景、生活環(huán)境入題，證實(shí)環(huán)境與人物性格的關(guān)系；再次淺析她們叛逆形象的異同，分別從年齡、感情、性欲和叛逆性格等方面進(jìn)行綜合性的比較；最后揭示出崔鶯鶯和杜麗娘超越傳統(tǒng)意識(shí)的叛逆性格所具有的深刻內(nèi)涵。

    關(guān)鍵詞：崔鶯鶯；杜麗娘；時(shí)代背景；生活環(huán)境；性格；比較

BASTRACT

    Western Chamber and Peony Pavilion all is reflected the youth men and women break through the feudal ethics and rites the fetter and the pursue free love ideal, the opposition feudalism despotic outstanding dramatic work. This article is divided four parts carries on the comparison to Cui Ying-ying and the Du Liniang image. First analyzes they respective image, for person in a whole understanding; Next the social background, the living conditions which locates from them enter the topic, the confirmation environment and the person disposition relations; Once more the brief analysis they the rebel image similarities and differences, separately from aspect and so on age, sentiment, sexual desire and rebel disposition carry on the comprehensive comparison; Finally promulgates Cui Ying-ying and Du Liniang surmounted the profound connotation which traditional consciousness the rebel disposition has.

    Key words: Cui Ying-ying; Du Liniang; Time background; Living conditions; Disposition; Compared with

【畢業(yè)論文-花開兩朵　芬芳各異─《西廂記》中崔鶯鶯與《牡丹亭》中杜麗娘形象】相關(guān)文章：

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